Reprise 2006 123movies

Watch: Reprise 2006 123movies, Full Movie Online – Two competitive friends, fueled by literary aspirations and youthful exuberance, endure the pangs of love, depression and burgeoning careers..
Plot: Two competitive friends, fueled by literary aspirations and youthful exuberance, endure the pangs of love, depression and burgeoning careers.
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Ratings:

	7.3/10 Votes: 13,329
	88% | RottenTomatoes
	79/100 | MetaCritic
	N/A Votes: 121 Popularity: 6.638 | TMDB

Reviews:

It’s been a long time…
Since I saw a movie that i could relate to as much. In some ways it really felt like my life with my group of friends when I was longer.

I truly enjoyed that movie, there is a feeling to it and the cinematography is excellent. The actors were amazing. I went to look at their profile and it seems that most of them don’t have a lot of experience but it doesn’t show, on the contrary, there is a freshness to their performance, they are quite good.

The Soundtrack is amazing, from Joy Division to New Order and other cool music that unfortunately I don’t know yet about. Totally what I needed to watch in the cold snow storm coming down right now in Montréal.

See it!

Youthful New Wave-ish wit from Norway
Joachim Trier’s smart, witty first film about a group of talented Oslo twenty-somethings won a prize at Toronto and was Norway’s Oscar entry. ‘Reprise’ focuses on Erik (Espen Klouman Hoiner, who’s blond, and smiles practically all the time) and Phillip (Anders Danielsen Lie, dark-haired, crew-cut, and wide-eyed). They’re well-off, presentable, and ambitious young men (and best friends) who try to launch writing careers by submitting manuscripts at the same moment. They also share a passion for the same reclusive novelist, Sten Egil Dahl (Sigmund Saeverud). The film amuses us right away by showing a series of alternative possible outcomes to the young men’s ambitions with quicksilver editing and a bright voice-over–a light approach which, with the close artistic friendship in the story’s foreground, brings up memories of the Nouvelle Vague and especially Truffaut’s ‘Jules et Jim.’ The screenplay, appropriately for a treatment of young people on the brink of maturity, constantly toys with possibilities, which we briefly see. Much of its charm is in the editing, but the opening segment is such a flood of wit, it’s a little hard to sustain it.

Moreover things turn a bit more Nordic and dark when Philip is the one to get published first, but immediately has a psychotic episode–partly attributed by doctors and family to his “obsessive” love for his girlfriend Kari (Viktoria Winge)–that lands him for a while in a sanatorium. Much of the film that follows deals with the problems for Phillip and the problems Phillip poses for others after his psychosis emerges.

Now Erik gets a MS. accepted, a little novel (we guess) called ‘Prosopopeia.’ He thinks that with this event, he must end his relationship with his longtime girlfriend Lillian (Silje Hagen) — a decision perpetually put off that may recall Matthieu Amalric’s wavering over Emmanuelle Devos in Arnaud Desplechin’s similar study of a group of (a bit older) intellectual young people, the 1996 ‘My Sex Life. . .or How I Got Into an Argument.’

Reprise is full of little ironies, some a bit obvious. There’s one friend who acts as a mentor for the guys. He says not to have girlfriends — they’ll make you settle into a life of watching TV series and having nice dinners and give you too little time to read and listen to music, he says. Then, wouldn’t you know it, he’s the first one to wind up married and living the bourgeois family life. Another easy irony is the way the pretty editor at Phillip’s publisher’s is first utterly repelled by an older punk rock band friend’s politically incorrect and offense chatter, then later is drawn to him like a magnet and marries him.

The film’s co-writer Eskil Vogt studied at La Feris, and his French residence comes out in the way two segments of Reprise take place in Paris, where Philip and Kari first discover they’re in love and where they go back after his mental problems to recapture the feeling, with mixed success.

Erik and Phillip know where the reclusive Sten Egil Dahl lives and occasionally spy on him. Phillip shoots Erik on a bench pretending to talk with the writer but forgets to remove the lens cap so the photo is a blank. Undeterred, Erik enlarges the resulting black rectangle and hangs it in a prominent place on his wall. Later it turns up as an emblem on the jacket of his book.

Erik performs badly on TV after ‘Prosopopeia’ is out (arguments over the odd title stand in for a young author’s stubborn missteps). He refuses to acknowledge a personal element in his references to psychosis, or anything else for that matter, in his book; and such reticence doesn’t go over well on the boob tube. He also reflexively uses a lot of affected finger “quote” marks imitating their mentor, making him look the fool even to his friends. But, in another quick irony, Sten Egil Dahl sees the show, reads Erik’s book, and, rescuing him from a mugger, reassures him that he did right on television and that he likes his novel — or most of it, anyway.

Phillip’s psychosis seems to come and go. He can’t write any more — but then he does, though it’s unsuccessful, as Erik feels obliged as a best friend to tell him. Phillip has a habit of counting from ten down to zero and we may think when he gets to zero one day he’s going to throw himself off a roof or in front of a truck. The darker side is always there, but also the light side. That’s why, Trier says, he used lots of punk music but also French poetry in his film. Part of the pleasure in this enjoyable, fresh piece of work is the sense of a group of talented, bright young people at work together making it. The punk band is part of the way the film fills in a whole group of friends from this generation of whom Phillip and Erik are only the foreground. Norwegian film-making plainly is infused with plenty of new blood and in a good period: there were plenty of Norwegian competitors for their Oscar submission this year.

Shown at the San Francisco International Film Festival 2007.

Other Information:

Original Language no
Runtime 1 hr 45 min (105 min), 1 hr 45 min (105 min) (Norway)
Budget 0
Revenue 0
Status Released
Rated R
Genre Drama
Director Joachim Trier
Writer Joachim Trier, Eskil Vogt
Actors Anders Danielsen Lie, Espen Klouman Høiner, Viktoria Winge
Country Norway
Awards 16 wins & 16 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arricam LT
Laboratory N/A
Film Length N/A
Negative Format 35 mm (Kodak Vision2 Expression 500T 5229)
Cinematographic Process Digital Intermediate (2K) (master format), Spherical (source format)
Printed Film Format 35 mm