#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until – while undercover working with the supplier of the South Florida group – he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one – especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.
Plot: A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Smart Tags: #police_investigation #police_detective #drug_deal #drugs #undercover #drug_smuggling #vice_cop #undercover_agent #urban_setting #no_title_at_beginning #underworld #neo_noir #no_opening_credits #remake_of_tv_show #interracial_romance #exploding_trailer #havana_cuba #drug_lord #remake #miami_florida #based_on_tv_series
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|5.9 Votes: 1186 Popularity: 17.858|
“Miami Vice” 2006
Michael Mann’s 2006 cinematic update of the 80s-television show “Miami Vice” is gritty, violent, and nothing like the television show it is updating. Opening the movie during an undercover operation, we are introduced to the new Sonny Crockett and Rico Tubbs. We, the audience, are also introduced to the high-risk crime world these characters are a part of. Mann’s picture is very detailed and seems to be more interested in being an undercover police procedural. That is until love connections of the two main characters are developed, trying to make these two characters more human and identifiable (and, in an all-too-calculated fashion make the high-risk world riskier). After the long-winded and uneven set-up arrives the movie’s action set pieces, Mann’s directoral specialty. But, what makes “Miami Vice” entertaining are its remarkable and impressive visuals. Michael Mann and cinematographer Dion Beebe, again, use the HD-digital camera and create a visual feast for the eyes (Some images making the movie seem better than it actually is). The beauty of exotic locales, a plane in flight, a boat traveling in the water, even the characters on top of building among the city’s skyline are all gorgeously shot. Ultimately, it all adds up to an okay movie. Not close to the greatness Mann achieved in “Heat” or “Collateral”. But, let’s just say, its what “Bad Boys 2” (not a Mann picture) should have aspired to be.
Original Language en
Runtime 2 hr 12 min (132 min), 2 hr 19 min (139 min) (unrated director’s edition)
Genre Action, Crime, Drama, Thriller
Director Michael Mann
Writer Michael Mann, Anthony Yerkovich (TV series)
Actors Colin Farrell, Jamie Foxx, Li Gong, Naomie Harris
Country USA, Germany
Awards 1 win & 9 nominations.
Production Company Universal Pictures, Michael Mann Productions
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Zeiss Ultra Prime and P+S Technik T-Rex SuperScope Lenses, Arriflex 435, Zeiss Ultra Prime and P+S Technik T-Rex SuperScope Lenses, Sony CineAlta HDW-F900, Zeiss DigiPrime and DigiZoom Lenses, Thomson VIPER FilmStream Camera, Zeiss DigiPrime and DigiZoom Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate), Technicolor, Hollywood (CA), USA
Film Length 3,654 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 50D 5201, Vision2 Expression 500T 5229), Video (HD)
Cinematographic Process Digital Intermediate (2K) (master format), HDCAM SR (1080p/24) (source format), Super 35 (source format) (some scenes)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema