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Track of the Cat 1954 123movies

Track of the Cat 1954 123movies

Human Emotion Stripped Raw!Nov. 19, 1954102 Min.
Your rating: 0
5 1 vote

Synopsis

Watch: Track of the Cat 1954 123movies, Full Movie Online – A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an enormous panther with seemingly mythical qualities which is killing cattle. An arrogant, pitiless son (Robert Mitchum) and a rigid pharisaic mother side against a moral eldest son and and a defeated alcoholic father while the youngest son tries to lay low, hoping against hope to persuade his family to allow him to marry a girl he has brought to visit. The girl however draws venomous condemnation and the two elder brothers set out in the midst of a violent snowstorm on a dangerous mission to kill the deadly panther..
Plot: A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an enormous panther with seemingly mythical qualities which is killing cattle.
Smart Tags: #19th_century #remake #based_on_novel #graveside_service #dysfunctional_family #reading_the_bible #passionate_kiss #panther_demon #man_woman_romance #unseen_monster #horseback_riding #animal_attack #cave #interrupted_sex #drinking_kerosene #native_american #timeframe_19th_century #1890s #panther #snowstorm #mountain


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Ratings:

6.4/10 Votes: 2,234
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N/A | MetaCritic
N/A Votes: 28 Popularity: 4.941 | TMDB

Reviews:

Comments by Sheila Beers
I liked “Track of the Cat” as a “psychological western” and also thought it could be produced as a stage play. The term “painter” is the way pioneers pronounced the word “panther,” as I learned in my Indiana History class. The characters in the story view the cat itself as a supernatural and eternal creature that brings evil, death, and sorrow to the innocence of the valley.

I found Joe Sam, the 100-year-old Indian portrayed by Alfalfa Switzer, interesting, mysterious, and downright spooky. Drawing on Native American wisdom and folklore, Joe Sam said the panther always came with the first snow, and he implied the panther was an evil spirit or creature that could not die. As the story progresses, the viewer develops mixed feelings about the old Indian’s beliefs, as do the members of the Bridge family. Actually, there is a rational explanation for the panther’s arrival in the valley: the cattle, deer, and other game had moved into the valley to search for food and water when the snowfall began. Then the panther, which preyed on such animals, followed them. The old Indian, however, expressed his belief in the panther’s immortality when he claimed the “same” panther had killed his wife and daughter during a first snow many years ago.

I believe the Indian himself symbolizes the conflicts between (1) life and death (2) the eternal and the temporal, (3) the spiritual world and the physical world, and (4) superstition and rational thought. The Bridge brothers stated the old Indian had been a survivor of a battle between settlers and Indians at least 60 years earlier and that all of the Indian’s grown sons had been killed in the battle. They estimated the old Indian was at least 40 when his sons died, so that he had to be over 100 years of age. The old Indian’s spryness and ability to lift bodies and heavy objects lead the viewer to believe the Indian himself is eternal.

The tragic loss of the old Indian’s family foreshadows the likelihood the Bridge family also will die out. Mrs. Bridge, the overly controlling mother, has run off all the marriage prospects her grown children have had, and the brothers fear their generation will not marry and have children. The last marriage prospect is the neighbor Gwen, in whom all the brothers have some interest. However, Mrs. Bridge has met her match as Gwen is determined to marry Harold. In the end, life and love triumph over death when Gwen and Harold decide to leave the ranch, get married, and move to Aspen, the symbol of civilization.

Mr. Bridge, the alcoholic father, is a sympathetic and comical character throughout the film, retrieving his whiskey bottles from assorted hiding places throughout the house. From his accent I judge him to be an Irish immigrant from a large city in the U.S. Toward the end of the film, Mrs. Bridge finally admits she had persuaded her husband to move to the isolated ranch where he had felt like a “fish out of water” and had taken to drinking. In the end she does admit to being a catalyst for the dysfunction in the family and accepts Harold’s wanting to get married and leave the ranch for Aspen.

In the scene where Curt (Robert Mitchum) has the fire go out, I am reminded of “To Build a Fire” by Jack London. There is a sort of naturalism in this scene and throughout the film with its man vs. nature theme. I would recommend this film as a very different sort of western.

Review By: Barney_Beers1947
Black Pant’er, Whole World
“Track of the Cat” has been in limbo for years for several reasons. One, John Wayne’s son, Michael, in charge of Batjac productions, refused to let it be distributed on DVD or otherwise until recently (Michael is now deceased but his widow worked out a deal with Paramount). Two, the film was not all that successful when first released. Only the drawing power of Robert Mitchum and other cast members sold what tickets were purchased by the movie goers of the day. Three, it was basically a pet project for director William A. Wellman who had fallen in love with the book by “The Ox-Bow Incident” writer, Walter Van Tilburg Clark, a few years before and had dreams of putting it on the big screen in glorious black and white color. He wished to experiment with color technique by having his cinematographer (who turned out to be William H. Clothier) use mainly black and white settings including the clothing and furnishings, with a few exceptions such as Robert Mitchum’s bright red coat, the brightness of fire, etc. Producer John Wayne was so happy with Wellman’s success with such box office hits as “The High and the Mighty” that he let him have his way. The result is a masterful work unlike anything else the viewer is likely to see on the big screen. The new process of Cinemascope captures the white canvas of the countryside covered with new fallen snow wondrously.

The interior shots tend to be cramped and the dialog talky reminding the viewer of a stage play. The exterior scenes are truly magnificent and add much to the texture of the story about a dysfunctional, isolated family, the Bridges (as in bridges to cross), preyed upon by a ferocious black panther, or so the Native American hired hand, Joe Sam (Our Gang’s Alfalfa), says. The panther, whatever color the viewer decides it to be, is symbolic of the turmoil and apprehension that has become part of the clan as a result of rivalry for domination within the group. The panther becomes an obsession that brings out the truth and ultimately decides the family’s fate.

Robert Mitchum, in a different type role, plays the oldest son, Curt, an egomaniac, selfish to the core, but with the heart of a coward. Still, the family looks to him for leadership. He tells everyone that he is going to put a bullet between the panther’s eyes. The second son, Arthur, played with élan by William Hopper of Perry Mason fame, is kindhearted though meek, loving poetry with no desire to be a leader. He wishes to let the panther be. The youngest son, Harold, played by teen idol, Tab Hunter, is young, innocent, and in love with a neighbor, Gwen Williams (Diana Lynn), who is spending time at the Bridges’ farm to be close to Harold during the inclement weather. The self-proclaimed matriarch who tries to ramrod the family with threats, guilt trips, and Bible citations, is Ma Bridges (Beulah Bondi). She has so far successfully kept her brood under her control and away from nubile bliss, including the only daughter, Grace (Teresa Wright), now a spinster. Harold threatens to tear Ma’s house down by marrying Gwen whom Ma naturally despises with a determination to rid the family of this interloper and intruder. Pa Bridges (Philip Tonge) has become a drunken milquetoast and somewhat of a dirty old man, especially around Gwen, as a result of years of badgering and nagging by Ma. The story involves the two oldest sons hunting the countryside for the panther preying on their cattle. Yet the panther is the catalyst that connects the dots to reveal the truth that leads to a new beginning for the Bridges.

The drama reminds one of an adaptation of a Eugene O’Neill play in some ways, especially the part dealing with the alcoholic father. Unfortunately, the film falters in the dramatic department yet somewhat compensates in the hunt for the panther. Though not a long film, making it at least fifteen minutes shorter with more action and less talk would have benefited the production greatly. The use of the panther as a symbol was inspired. As Joe Sam says toward the end when commenting on the color of the beast, “Black pant’er, whole world.”

Review By: krorie

Other Information:

Original Title Track of the Cat
Release Date 1954-11-19
Release Year 1954

Original Language en
Runtime 1 hr 42 min (102 min)
Budget 0
Revenue 0
Status Released
Rated Approved
Genre Drama, Western
Director William A. Wellman
Writer A.I. Bezzerides, Walter Van Tilburg Clark
Actors Robert Mitchum, Teresa Wright, Diana Lynn
Country United States
Awards N/A
Production Company N/A
Website N/A


Technical Information:

Sound Mix Mono (35 mm optical prints), 4-Track Stereo (35 mm magnetic prints) (RCA Sound Recording)
Aspect Ratio 2.55 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process CinemaScope
Printed Film Format 35 mm

Track of the Cat 1954 123movies
Track of the Cat 1954 123movies
Track of the Cat 1954 123movies
Original title Track of the Cat
TMDb Rating 5.5 28 votes

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