Watch: Past Lives 2023 123movies, Full Movie Online – Nora and Hae Sung, two deeply connected childhood friends, are wrested apart after Nora’s family emigrates from South Korea. Twenty years later, they are reunited for one fateful week as they confront notions of love and destiny..
Plot: Two childhood friends are separated after one’s family emigrates from South Korea. Two decades later, they are reunited in New York for one week as they confront notions of destiny, love and the choices that make a life.
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As the son of parents who were childhood sweethearts/soul mates, I tend to be a sucker for movie romances that address this subject. In this case, however, the only “sucker” aspect applies to the money I plunked down to watch this two-hour snoozefest. Writer-director Celine Song’s debut feature has been praised as a masterful piece of filmmaking and one of the best pictures of 2023, but I heartily beg to disagree. When a pair of young, tightly knit Korean friends, Nora (Greta Lee) and Hae Sung (Teo Yoo), part ways from their native Seoul and are later reunited in New York after a 24-year separation, the reunion of these childhood pals provides them with an opportunity to reflect on what might have been. However, their time together consists mostly of a series of overly bloated pregnant pauses, inane dialogue and missed chances to discuss much of anything meaningful, the kinds of scenes that make even the most patient viewers want to yell “Get on with it already!” These “conversations” come nowhere close to matching their joy of their spirited youthful interactions or the heartfelt, substantive talks that later take place between Nora and her husband, Arthur (John Magaro). The result is, quite frankly, a big fat bore that’s trying to be more than it is but never achieves that outcome. Perhaps the biggest problem with this is the film’s truly sincere but decidedly paper thin narrative that doesn’t have the writing support to bring it all into beautiful full bloom, despite some fine performances, exquisite cinematography and an emotive background score. From this, the director would appear to have a hefty reserve of potential stashed away, at least based on this offering’s stylistic elements, but the substance could use some definite shoring up. Let’s hope her next effort lives up to that.
Wow. For a director, Celine Song, just coming out of the gate, this is quite an impressive film. The lead actress, Greta Lee, fit the role like a soft leather glove, which speaks volumes, both for her talent, and for Song’s casting. Lee’s Hollywood Critics Association Best Actress award is well-deserved.
Song wrote an excellent screenplay, and her direction turned it into a stunning film. Kudos to A24 for taking a chance on her. I presume they are happy with the outcome. It’s rather interestingly paced in a Buddhist or Asian kind of way – slow, meditative, and more is shown than is said. Overall, it’s not a perfect film, but it’s close.
This isn’t precisely a coming-of-age movie, but the plot revolves around that (perhaps even more difficult,) developing period between the ages of 20 and mid-30s. I’ve held a long-standing belief that our life chapters change every seven years. You know: there are seven chakras, seven days in a week, the Seven Sisters (Pleiades), or whichever mystical seven you’d like. Over the course of three of these “theoretical” chapters, this movie focuses on two relationships in the protagonist’s life, from roughly twenty-one (7*3) to approximately forty-two (7*6). She was married at about the time of a chapter shift (7*5), as if to validate my weird belief. In my world, it all makes sense.
This movie is certainly somewhat autobiographical, even by Song’s own admission. It will be added to my Directors About Themselves list. I can’t wait to see Celine’s next project!
Romance finally feels real
I’m nearly emotionless staring at this screen as I try to piece together my thoughts from a deeply moving film. Past Lives is purely honest, heartfelt, and piercingly direct with the evolution of its story, let alone with the natural growth its two lead characters. The score patiently guides the emotions of the audience, heightened by steady framing and extended sequences from a gorgeous color scheme to create an overwhelmingly tense presence in its tone, but never crossing that line in doing so. You feel the most out of every moment because the film puts trust in the fact that you will. The concluding sequence is a testament to the formatting of this entire story as the writing positions you to finally see and feel exactly as these characters do, and that’s the ingredient that makes this experience so special. A true romance film crafted for our understanding and psychological reflection in 2023 and one that’ll remain timeless for generations to come.
“past lives” is a film that sadly falls short of originality and creative integrity. As a viewer who appreciates unique storytelling and fresh cinematic experiences, I was deeply disappointed to discover that this movie shamelessly copied the entire script from the Indian film “96.” From the characters to their romantic interactions, and even the entire setup, “Copycat Romance” fails to offer anything new or meaningful.
The originality of a film is crucial in captivating and engaging an audience. Unfortunately, “Copycat Romance” lacks the innovation and imagination required to stand on its own. It relies heavily on the success and popularity of “96,” exploiting the hard work and creativity of the original filmmakers without adding any significant value or artistic interpretation.
Rather than introducing fresh perspectives, “Copycat Romance” regurgitates the storyline, character arcs, and emotional beats of its Indian counterpart. This blatant lack of effort and creativity leaves the audience feeling cheated and unfulfilled. It is disheartening to witness such a blatant disregard for originality and a missed opportunity to bring something new to the table.
Additionally, the film fails to justify its existence as a mere replica. The absence of any unique artistic vision or reinterpretation robs the audience of the possibility of experiencing a fresh take on the themes explored in “96.” It becomes evident that “Copycat Romance” is merely riding on the coattails of a successful film, hoping to cash in on its popularity instead of crafting a distinctive cinematic experience.
In conclusion, “Copycat Romance” is an unfortunate waste of a movie. Its decision to shamelessly copy the entire script, including the characters’ romantic interactions and the overall setup, showcases a lack of creativity and artistic integrity. As a viewer, I recommend seeking out the original film “96” for a genuinely moving and authentic experience, rather than wasting time on this uninspired replica.
Original Language en
Genre Drama, Romance
Director Celine Song
Writer Celine Song
Actors Greta Lee, Teo Yoo, John Magaro
Country United States, South Korea
Awards 4 wins & 7 nominations
Production Company N/A
Sound Mix N/A
Aspect Ratio N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A