Nope 2022 123movies

Watch: Nope 2022 123movies, Full Movie Online – The residents of a lonely gulch in inland California bear witness to an uncanny and chilling discovery..
Plot: Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
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Ratings:

	6.9/10 Votes: 154,809
	82% | RottenTomatoes
	77/100 | MetaCritic
	N/A Votes: 2159 Popularity: 125.88 | TMDB

Reviews:

They said it and you wont hear me disagreeing with it. Did I find it entertaining? “nope”. Did I feel the story was cohesive and comprehensible, with a clear contextual message? “nope”. Were characterisations relatable and relevant? “Sort of”.

Nope’s characterisations are moderately relatable but somehow, also seem to appear oddly misconstrued. The mostly monosyllabic cowboy character, for example, only adds to the sense of ambiguity (perhaps that’s the idea).To my mind however, this ploy, if that’s what it is, stifles development, of the already ambiguous, story line. The sister, his complete antithesis, is superficially verbose but seems equally, to lack any depth of self awareness.

The only thing I can say conclusively about Nope, is the visuals are compelling, complex and, at times, almost intricate. This film certainly scores a A+ in this regard.

That said, so much else is lacking, in particular a clearly articulated narrative, that it failed to resonate, with me.

In summary, I found Nope a frustrating, dissatisfying watch. Somewhat reminiscent of M. Night” Shyamalan films Nope is visually stunning but does not offer up enough morsels of knowledge, leaving this viewer hungry for more.

Full review: open.spotify.com/episode/03ZQLC8VjUeeMGuAIbVyTq?si=b217083aa90c4457

Jordan Peele’s ‘Nope; comes in with some big expectations due to Peele’s previous work. ‘Get Out’ shifted the paradigm for horror movies, taking a genre which has historically been associated with a temporary experience of thrill and adrenaline, to being social commentaries on society and raising some deeper questions about ourselves in the process of watching his stories unfold.

Nope is no exception, and in fact it can be argued that it attempts to combine story, metaphor and meaning in a more ambitious way than his previous outings. Taking the central theme of ‘spectacle’, Peele beautifully illustrates its dangers and how we as a society are so obsessed with the spotlight to our own detriment (and even int he worst cases, eventual demise). Choosing a more science fiction approach this time around, Peele does a great job of story telling, and often subvert’s out expectations time and time again in the process. Aside from the film’s deeper meaning, some of the other highlights come in the form of the cinematography and performances from the central characters (mostly notably, OJ, Emerald and Angel). Peele has managed to create some complex characters which are highly relatable, and the chemistry between the actors is something which will be a lasting memory for me.

However, I do feel that the film does sacrifice plot and narrative in its relentless effort to hammer in the metaphor of the central theme – ‘Spectacle’. While I did enjoy each story (OJ and the Animal Alien and Gordie and Jupe), I had a hard time understanding the relationship they had with each other from a narrative point of view. It often felt like two stories could have been played out better without the interference of the other. Other than that I did have some questions around OJ’s motivations to tame / kill this animal, the legitimacy of the final impossible shot, the nature and behaviour the animal, and how / if OJ survived (or was this open for interpretation?). The ending of the film also was a slight let down with the death of the animal not being all that grand. This however could also be tied into the overall message of ‘Spectacle’ as the finale is often not worth the what we expect it to be.

Overall, I think Nope is a very good movie which will probably get better with a few re-watches to fully appreciate what Peele was trying to tell us.

Symbolism is flying over all of your heads
The amount of reviews calling this pointless and terrible clearly didn’t read much into what happens here. Peele is pointing a mirror up to you and the most ironic part is a lot of don’t even seem to notice. No, this isn’t a typical horror movie. It’s more of a Spielbergian blockbuster satire with some amusing moments sprinkled throughout. The “entity” is creative and can be quite terrifying. The cinematography is top notch and probably the standout feature of the film, while Kaluuya can say an immense amount without even speaking a word. The screenplay is odd to say the least, but it hits more than it misses.

While I still think this is a lesser film than Get Out or Us and it ran a little too long, you have to commend its originality in a summer sea of IP-based films. Peele attempts something profound and unique here, which should be respected regardless of your thoughts on the film.

compared to is other work this one was real bad
Its not the actors because they are all excellent. I guess its the plot of the movie and how slow it is to start or get going.

From the first 10 minutes i thought it would be a good movie but after 30 minutes it went downhill fast and the ending was even worst.

Other Information:

Original Language en
Runtime 2 hr 10 min (130 min)
Budget 68000000
Revenue 170823080
Status Released
Rated R
Genre Horror, Mystery, Sci-Fi
Director Jordan Peele
Writer Jordan Peele
Actors Daniel Kaluuya, Keke Palmer, Brandon Perea
Country United States, Japan, Canada
Awards 2 wins & 11 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Sonics-DDP, Dolby Atmos, Dolby Digital, IMAX 6-Track, DTS (DTS: X), Dolby Surround 7.1, 12-Track Digital Sound (IMAX version)
Aspect Ratio 1.33 : 1 (Gordy’s Home), 1.43 : 1 (IMAX with Laser: some scenes), 1.78 : 1 (some scenes: IMAX Blu-ray), 1.90 : 1 (Digital IMAX: some scenes), 2.20 : 1
Camera Arri Alexa 65 Infrared, Panavision Sphero 65 Lenses (some scenes), IMAX MKIV, Hasselblad Lenses, IMAX MSM 9802, Hasselblad Lenses (some scenes), Panavision 65 HR Camera, Panavision Sphero 65 Lenses, Panavision Panaflex Gold, Panavision Primo Lenses (Gordy’s Home), Panavision Panaflex Platinum, Panavision Primo Lenses (Gordy’s Home), Panavision Panaflex System 65 Studio, Panavision Sphero 65 Lenses
Laboratory Company 3, Los Angeles (CA), USA (color) (finish), FotoKem Laboratory, Burbank (CA), USA (film processing)
Film Length N/A
Negative Format 35 mm (Gordy’s Home), 65 mm (also horizontal) (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219), Codex
Cinematographic Process ARRIRAW (6.5K) (source format) (some scenes), Digital Intermediate (4K) (master format), Dolby Vision, IMAX (source format) (some scenes), Panavision Super 70 (source format), Super 35 (source format) (Gordy’s Home)
Printed Film Format 70 mm, D-Cinema, DCP Digital Cinema Package