Kaili Blues 2016 123movies

Watch: 路边野餐 2015 123movies, Full Movie Online – In the mystical,subtropical province of Guizhou,there is a small county clinic surrounded by fog.At the Kaili clinic,there are two doctors who live quiet,lonely lives.One of the doctors,Chen Sheng,embarks on a journey by train to find his nephew, who had been abandoned by his brother. On the way to Zhenyuan ,Chen Sheng came across a place called Dang Mai, where time seemed to flow both forwards and backwards, the lives of the local people a complete mystery. He experiences his own past and future,lending him insight into his own life. Once Chen arrives at Zhen Yuan, rather than approaching his nephew, he watches secretly from a distance, he is surprised to find that his nephew flourished in the absence of his father, and decides not to interfere in his life. Before he had left Kaili, he had promised his colleague that he w ould stop by the home of her former lover to deliver some items, but upon his arrival, he is told that the man had passed away, and he leaves the box of mementos with the son of his colleague’s former lover. Chen once again boards the train to return home. His mind is troubled, he cannot decide whether he believes that the world as he experiences it, is a product of his imagination, or if he is just a part of some large collective dream..
Plot: In the subtropical province of Guizhou, Chen Sheng embarks on a journey to find his nephew.
Smart Tags: #underground #surrealism #train #doctor #clinic #past #future #china #passage_of_time #time_reversal #pop_music #traditional_music #old_photograph #footbridge #amateur_band #ex_convict #poetry #cupping_glass #dream_reality #dreaming #dripping_water

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Ratings:

	7.2/10 Votes: 3,880
	97% | RottenTomatoes
	85/100 | MetaCritic
	N/A Votes: 85 Popularity: 5.325 | TMDB

Reviews:

Man returns to past places, people, and memories.
KAILI BLUES: A DEMANDING, STUNNING EXPERIENCE

KAILI BLUES is an extraordinary film .not just a good first feature, not just a good independent Chinese film. but an imperfect dazzling masterpiece.

Audiences who watch normal films bring strong ideas of what makes effective, satisfying storytelling. I came expecting another good festival art film from China, yet even as a film director/critic, it took me 45 minutes to suddenly realise and understand what the director was brilliantly achieving with fresh cinematic language and vision. From then on I was mesmerised and deeply moved.

This film doesn’t satisfy cinematic art or entertainment preconceptions .It is unique, thrilling personal cinema, that communicates on different conscious and subconscious levels, conceptually, visually, emotionally.

BI GAN, the very young film director/poet in his 20s, is already an honest, open, accomplished artist, with well-deserved self-confidence (ego firmly in-check), dynamic creative ambitions, and skills to accomplish them. I don’t want to burden him with this, or sound pretentious and preposterous – but I couldn’t help flashing on Orson Welles during “Citizen Kane”.

Wang Tianxing’s cinematography was stunning, perfectly merging with the dynamic style and viewpoints of the story. No matter how many camera persons were used or their professional experience, everything flowed seamlessly emotionally. The magical 41-minute single moving shot is as revolutionary as Sokurov’s landmark “Russian Ark,” with greater psychological and emotional resonance. Memory, fantasy, and reality weave through and around each other.

Film crafts and cinema language are used smoothly and very effectively: visually powerful rural locations in Kaili, Guizhou Province, China (used with subtlety and respect), “costumes” (real lived-in clothes), props (from real homes and villages). Production design, sound, and editing are all creatively professional.

The Producers did a remarkable job during pre-production, shooting, and post-production, because there must have been daily stressful problems to overcome.

The actors – 99% non-professional – are perfectly cast and directed. Chen Yongzhong’s memorable presence holds together all the wonderful characters in the 110-minute film.

Traditional Chinese, Miao, children’s song, local band, actor’s song, new music, and terrific end credit duet, are all evocative and touching.

KAILI BLUES should be seen at least two times, and discussed by film students in every international serious film school, and by audiences who are passionate about cinema in all countries within and outside China.

(Since this is a glowing review, I must say that I have absolutely no connection with the film or anyone who made it.)

Gan Bi Begins
Your mileage may vary depending on which direction the trains and time are flowing. Curious to see bi-lingual Mandarin/English reviews, I tried to pause on the poems voiced over during the film, but too often they washed over me like the constant flow of water through-out.

The film is both heavy on symbolism, as well as strongly rooted on the earth, specifically the territory in the Guizhou Province, which apparently looks both rustic and post-industrial. Another review mentioned vehicles that fail that is a good metaphor for the film, but the viewer does travel with this film, if not where one might expect.

I am curious if the language ends up being a bigger tipping point to what is at play here. The blurring of characters/time perhaps indicated by key phrases or tenses. Or even in tense phrases, the scene in the make-shift salon where our Dr. Hero gets his haircut felt unsettling in an interesting way. And I wasn’t even the woman giving the good Dr. his trim.

Besides the much discussed long single shot, so much fascinating tracking done (presumably by quite and highly reliable motorcycles) and great projected images at times.

Again I remain curious if this feels foreign to even folks familiar with the physical, if not emotional territory covered. I look forward to more films from Gan Bi after this auspicious beginning.

Other Information:

Original Language zh
Runtime 1 hr 53 min (113 min)
Budget 50
Revenue 646
Status Released
Rated Not Rated
Genre Drama, Mystery
Director Bi Gan
Writer Bi Gan
Actors Yongzhong Chen, Yue Guo, Linyan Liu
Country China
Awards 22 wins & 20 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.78 : 1
Camera Arri Alexa (Zeiss Ultra Prime Lenses), Blackmagic Cinema Camera, Canon 5D Mark III (the one long shot)
Laboratory N/A
Film Length N/A
Negative Format Digital
Cinematographic Process ARRIRAW (3.2K) (source format), Digital Intermediate (2K) (master format), H.264 (1080p) (source format) (the long shot)
Printed Film Format DCP