Insidious 2010 123movies

Watch: Insidious 2010 123movies, Full Movie Online – A gripping story of a family in search of help for their son, Dalton, who fell into a coma after a mysterious incident in the attic. Little do they know that there is much more to this endless sleep than meets the eye as they explore the paranormal, and rediscover the past; the key to getting their son back once and for all..
Plot: A family discovers that dark spirits have invaded their home after their son inexplicably falls into an endless sleep. When they reach out to a professional for help, they learn things are a lot more personal than they thought.
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Ratings:

	6.8/10 Votes: 310,663
	66% | RottenTomatoes
	52/100 | MetaCritic
	N/A Votes: 5782 Popularity: 34.858 | TMDB

Reviews:

Tiptoe Through the Tulips.

Insidious is directed by James Wan and written by Leigh Whannell. It stars Patrick Wilson, Rose Byrne, Ty Simpkins, Barbara Hershey, Lin Shaye, Andrew Astor and Leigh Whannell. Music is scored by Joseph Bishara and cinematography by John R. Leonetti.

The team behind “Saw” and “Dead Silence” bring us “Insidious”, one of the finest exponents of the haunted house movie in the modern era. Of course that doesn’t count for much with those not particularly struck by the formula, but it does seem to be one of the very few horror sub-genre movies to come out with better than average appraisals.

Of course it’s not perfect, few films, especially in horror world, can stand up and come through unscathed by critics and fans alike, yet for the like minded adults who can set the mood and channel themselves into the boo jump and creepy atmosphere world wrung out by Wan and Whannell, then this is the bomb.

Much has been made of the shift in the last third, where the film brings in Astral Projection as its reasoning for the pant soiling previously unleashed. Undeniably the film runs away with itself, goes too far and the last 15 minutes are a chaotic mess of bold ideas and inadequate staging. However, it’s interesting to note how often the haunted house movie in recent times gets accused of not bringing something new to the table, something thrown at the wonderful “Woman in Black” that followed “Insidious”down the pipe. Here the makers offer up something different, true, it hasn’t worked in the way they or the hardened genre fans would have liked, but personally I found on second viewing it is forgivable. It’s like riding your favourite Big Dipper, you enjoy the spins and upside down scream moments, but just tolerate the flat standard drive stretches of track while your heart tries to steady its beat.

When “Insidious” is hitting its heights it’s utterly thrilling and unnerving, paced to perfection, it builds from whispered voices on a baby monitor to entities invading the home of the poor Lambert family. The mystery element is strong, just what do they want? Why is son Dalton in a coma but the medical boffins have no idea why? How come the entities have followed the Lambert’s even when they move house? The latter of which is refreshing to see in the screenplay, it’s a logical move but so often it’s not done in other horror movies. The jumps are nicely placed throughout and a number of scenes are so freaky they get under your skin and stay there for some time – seriously, I don’t think I’ll ever be able to listen to “Tiptoe Through the Tulips” again without my blood being chilled. The use of photographs and mirrors bring the goose flesh to the skin, while Lin Shaye’s arrival as the paranormal physic, and the subsequent use of a gas mask, keep things ticking on the freaky deaky scale (though once the gas mask scene hits it’s where the pic slightly falls away).

It borrows ideas and takes its tonal cues from other horror movies, definitely, and the second half doesn’t live up to the promise of the first; hell I’ll even concede that a certain entity is badly designed, but it does have something new to offer the formula, it’s also well performed by the cast, that itself is a rarity. It hasn’t resonated with all, but it was a monster hit at the box office, making nearly $85 million in profit. The market for a good haunted house spooker is always open, so Insidious, in spite of its second half irks, sits in the top draw with the best of them. 8/10

It’s not wholly original, but it works because the people involved **make** it work, first and foremost, James Wan.

_Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._

Better than “Paranormal Activity” and “Saw” combined
*** out of (****)

Judging by the anticlimactic advertisements you’d think, just why? There’s an evil child film almost every year, and what separates one from the rest? You have every right to think so, but not with “Insidious”. Trust me when I say it. “Insidious” is an entirely different beast. One that actually resonates with scares and intrigue. One that relies on character development, and a script to hold it together. This isn’t a one trick pony, it’s a well made film with some solid production values thrown in as a bonus. If you don’t have a film to see this weekend, make sure you make it this one.

“Insidious” revolves around the perfect couple. Beautiful kids. A new home. It’s all smooth sailing until Dalton is in a supposed “coma”, but the actual reality is that he’s haunted. What will Dalton’s family do to stop this entity?

First of all, many complain that the second act bogs down the film and is inferior to its first half. I wholeheartedly disagree. I think as a whole the film is just fine. Yes, there’s a drastic tonal shift mid-way, but that doesn’t detract from the experience. The first half plays a typical haunted house flick, except it’s actually scary, and the suspense is well built. Then the second half is like a cross between “Poltergeist”, “House of Wax”, and a little of “Beetlejuice” sprinkled in for good measure.

Furthermore, the performances while nothing to write home about, are pretty decent to say the least. The two leading protagonists do their job and Dalton is pretty solid given what he had to work with. Moreover, the script is very inventive, and has multiple twists and turns. Yes, this isn’t the most unique screenplay, but it still stands on its own, and is actually quite effective.

To top it off, the production is just very beautiful. This movie is very easy on the eyes when it comes to cinematography and location. Now the question everyone is dying to hear. Is it scary? I’d say yes, but don’t get too carried away. If you walk in thinking your going to have nightmares, or if you’re going to see Rosie O’ Donnell, chances are you’ll be a little disappointed. However, if you’re going in expecting a creepy thriller that just happens to have a few intense moments, you’ll be in for a fun night out. Also, I love the nostalgic factor this movie has. It feels as though it was made in the 80’s. Old school horror strikes back!

With a restraint heavy PG-13 rating, and a middle-of-the-road concept, “Insidious” isn’t looking too pretty. However, looks can be deceiving. This is one movie that doesn’t mess around, and doesn’t play it safe either. I can easily say I will be revisiting this film from time to time just because it’s so fun. You’ll laugh, you’ll jump, you’ll be entertained. This is what a fun night out should be like. Get your large popcorn and soda, and sit along with the crowd. Be prepared for a good time.

Finally a Great Horror Movie
The teacher Josh Lambert (Patrick Wilson) and his wife Renai (Rose Byrne) move with their three children, the boys Dalton (Ty Simpkins) and Foster (Andrew Astor) and the baby Cali, to a big house. When Dalton is exploring the attic, he falls from the ladder and hits the head on the floor. On the next morning, Dalton does not wake up and stays in coma, but the doctors are not able to diagnose his problem.

Three months later, weird things happen in the house and Renai sees apparitions. She is sure that the house is haunted and convinces Josh to move to another house. Sooner Renai sees ghosts in the new house and Josh does not believe in his wife. But his mother Lorraine (Barbara Hershey) tells him that she had also had a vision of a fiend in Dalton’s room.

They invite the medium and Lorraine’s old friend Elise Rainier (Lin Shaye), who brings her team of ghost hunters Specs (Leigh Whannell) and Tucker (Angus Sampson) to investigate the supernatural phenomenon. Elise explains that Dalton is a traveler with the ability of leaving his physical body and travel in astral projection. Now his spiritual body is lost in a place called Further that is not for the living and entities are gathered trying to get inside his empty physical body. Among these entities there is a demon that needs Dalton’s body to cause pain to the others. Further, Lorraine discloses that Josh is also a gifted traveler and must seek out Dalton in Further and bring him back.

“Insidous” is a great horror movie with a spooky supernatural story without gore that is scarier than any slasher. The screenplay is well written and the film has good performances. The cinematography, the edition, make-up and special effects give a frightening atmosphere of nightmare. The surprising conclusion ends with golden key this film. My vote is eight.

Title (Brazil): “Sobrenatural” (“Supernatural”)

Obs: I bought the Blu-Ray and today (20 Oct 2012) I have just seen it again. “Insidious” is the scariest film that I have seen from 13 August 2011 until today. I found it better than the first time and I also changed my vote to ten.

Other Information:

Original Language en
Runtime 1 hr 43 min (103 min)
Budget 1500000
Revenue 97009150
Status Released
Rated PG-13
Genre Horror, Mystery, Thriller
Director James Wan
Writer Leigh Whannell
Actors Patrick Wilson, Rose Byrne, Ty Simpkins
Country United States, Canada
Awards 8 wins & 15 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Dolby Digital
Aspect Ratio 2.35 : 1
Camera Red One MX
Laboratory FotoKem Digital Film Services, Burbank (CA), USA (digital intermediate)
Film Length 2,797 m (Portugal, 35 mm), 2,810 m (Spain)
Negative Format Redcode RAW (4.5K)
Cinematographic Process Digital Intermediate (2K) (master format), Redcode RAW (4.5K) (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema