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Ghost in the Shell 2: Innocence 2004 123movies

Ghost in the Shell 2: Innocence 2004 123movies

When machines learn to feel, who decides what is human...Mar. 06, 2004100 Min.
Your rating: 0
6 1 vote

Synopsis

Watch: イノセンス 2004 123movies, Full Movie Online – Batô is a living cyborg. His whole body, even his arms and legs, are entirely man-made. What only remains are traces of his brain and the memories of a woman. In an era when the boundary between humans and machines has become infinitely vague, Humans have forgotten that they are humans. This is the debauchery of the lonesome ghost of a man, who nevertheless seeks to retain humanity. Innocence… Is what life is..
Plot: Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer’s software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase “Help me.”
Smart Tags: #cyborg_sci_fi #robot_sci_fi #cyborg #philosophy #cyberpunk #artificial_intelligence #gangster #grenade #biopunk #timeframe_2030s #female_rear_nudity #lesbian #female_female_kiss #lesbian_interest #anime_animation #detective #based_on_comic_book #multiple_english_dubs #adult_animation #gun #parade


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Ratings:

7.4/10 Votes: 38,633
64% | RottenTomatoes
66/100 | MetaCritic
N/A Votes: 691 Popularity: 16.203 | TMDB

Reviews:

A visually stunning journey through ethics and philosophy of artificial intelligence.
The first thing that must be said about this film, is that the visuals and imagery are breathtaking. Yet it does not rely solely on our awe. The plot, although very complicated and often convoluted, is rich and laden with allegories, philosophy, analysis and even theology. At first glance, the characters appear to be static and somewhat stoic, but when one thinks about it, the characters are that way to represent the similarities we share with “dolls.” Does an effigy infused with meaning and symbol constitute as a being on it’s own accord? Or are we simply defined by the mere fact that we are alive? The film is laden with imagery suggesting the war/hybridization of: nature vs. machines/synthetic life, how machines mimic nature, how tradition becomes assimilated by it, and how reality may or may not be a virtual construct based on our own perspective. This is an intellectual, symbolic film that not only gives eye-candy galore, but also delivers more cerebral fare than most films. Although the characters are ultimately forgettable (save the expressive dog owned by Bateau,) one can perceive that too as being a tool to suggest that ultimately, we are all drones living our predictable lives…perhaps unaware of more intricate powers and forces surrounding us. Whether you watch this film for the state-of-the-art visuals or the perceivably potent content, I recommend this film enthusiastically for anyone who would like to think…or just say “ah” at the incredible scenery.
Review By: Naturezrevenge
Ego Trip
I saw this movie hoping for the best but expecting the worst. I got the worst.

I’m sure the anime otaku for whom anything anime, anything Japanese, anything Mamoru are untouchable will love this movie. They will read deep meaning into lines that really have none and into ideas that have been covered far far to often and much better already by more talented writers and directors.

But, let’s just get into the technical parts first.

We all know one joke about Japanese animation is it’s not animated. Japanese animation is the art of making a story with as little animation as possible. Cut to an image of the moon during dialog so nothing has to be animated. Cut again to their feet. Then there are the shortcuts, only animate the mouth, walks are 2 steps, use lots of panning shots, animate only machines, smoke and explosions since they are far easier to animate.

Well, this movie more than any anime I’ve seen recently takes those things to extremes. It’s like it was actually written to use as little animation as possible. A couple of the characters are robots and when they talk their voice comes out of a speaker in their mouth so they just open their mouth (or not) and the voice comes out. No animation needed. In some of those same scenes, even the human’s mouths stop moving.

The movie is padded as well. There were severals 5 – 10 second scenes where nothing moved and there was no dialog as well, it was just padding. And it wasn’t even for dramatic pause or even paused on some impressive visual.

Then there was the artistic masturbation scenes. There was at least one 10 minute long (well it felt like 10 minutes) of a Chinese parade. It had absolutely nothing whatsoever to do with the story, the movie, the plot, nothing. It was only there to show off art. It was pretty but it was also completely boring since it had no relation to anything.

There were several other scenes like this. Long scenes to show off art most of which were pointless and in fact they just are not impressive anymore. How many thousand neo-Tokyos with giant skyscrappers etc have we already seen? It’s lost its effect.

Another sad part, although the setting is some future Neo-Tokyo all the cars are early 20th century. Can anybody say “Highlander 2”. Sure they are pretty cars but they make no sense at all. It **might** and that’s a big **might** make sense if one character was a car collector and had an old car but in this movie all cars are pre-1940. Some artist might think that’s cool but in the movie it’s just a distraction because it is so clearly unbelievable.

The best (and only good part) of this movie is the dog. The dog is actually animated. Although having almost nothing to do with the story.

My suggestion, avoid this movie. Don’t reward this kind of ego trip.

Review By: greggman

Other Information:

Original Title イノセンス
Release Date 2004-03-06
Release Year 2004

Original Language ja
Runtime 1 hr 40 min (100 min)
Budget 0
Revenue 9789651
Status Released
Rated PG-13
Genre Animation, Drama, Mystery
Director Mamoru Oshii
Writer Shirow Masamune, Mamoru Oshii, Richard Epcar
Actors Akio Ôtsuka, Atsuko Tanaka, Tamio Ôki
Country Japan
Awards 6 wins & 8 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix DTS-ES, Dolby Digital EX, Stereo, DTS (DTS: X)
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory Imagica Corporation, Shinagawa-ku, Tokyo, Japan (prints)
Film Length 2,779 m (Portugal, 35 mm)
Negative Format Digital
Cinematographic Process Digital (2K) (1080p) (720p) (source format), Digital Intermediate (2K) (master format), Digital Intermediate (4K) (2018 remaster)
Printed Film Format 35 mm (spherical)

Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Ghost in the Shell 2: Innocence 2004 123movies
Original title イノセンス
TMDb Rating 7.296 691 votes

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