Watch: Trolösa 2000 123movies, Full Movie Online – Marianne is a theatre actress married to an orchestra conductor, Markus. She becomes involved in an affair with their director friend, David, which leads to a painful divorce and battle for custody of their daughter, Isabelle. Although all of them are merely fictional characters created by Bergman, their experiences become very real and traumatic for him..
Plot: Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus’ decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.
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7.4/10 Votes: 3,565 | |
86% | RottenTomatoes | |
79/100 | MetaCritic | |
N/A Votes: 36 Popularity: 5.443 | TMDB |
Splendid Acting
The performance by Lena Endre was the best I have seen this decade. And the facial nuances of Erland Josephson were superior as well. All in all, the acting surpassed the totality of the movie per se; but, still this is a movie well worth seeing. I wish the US would produce films like this.
Writer’s Creations Uncomfortably Take Over His Life
“Faithless (Trolösa)” starts out claiming that it’s about the corrosive effects of divorce, but it seemed to be equally about the writer’s creative process, how the characters’ emanate with little control and take over the artist’s life.With a provenance that feels uncomfortably autobiographical, as it’s written by Ingmar Bergman, who lives alone on an island like the man who calls forth characters in the movie, and directed by Liv Ullman, Bergman’s one-time muse, lover and mother of their child (and the child here becomes a painful pawn).
The lead triangle is all in the arts, as actress, director, conductor. Many of Bergman’s later works have originated on Swedish TV and I wonder if this did too, as it’s mostly tight close-ups or claustrophobic two-person interplays.
Lena Endre’s face is so captivating that I kept forgetting to read the subtitles, so I missed some dialog here and there.
The audience was a bit exasperated at the end, in trying to figure out what was imaginary and what was real and what happened to whom at the end, but I think that’s what happens to writers as they leave their work.
(originally written 2/11/2001)
Original Language sv
Runtime 2 hr 34 min (154 min), 2 hr 32 min (152 min) (Argentina), 2 hr 34 min (154 min) (Colombia), 2 hr 35 min (155 min) (Denmark), 2 hr 32 min (152 min) (Peru), 2 hr 34 min (154 min) (UK), 2 hr 22 min (142 min) (USA)
Budget 0
Revenue 0
Status Released
Rated R
Genre Drama, Romance
Director Liv Ullmann
Writer Ingmar Bergman
Actors Lena Endre, Erland Josephson, Krister Henriksson
Country Sweden, Italy, Germany, Finland, Norway
Awards 8 wins & 9 nominations
Production Company N/A
Website N/A
Sound Mix DTS, Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex 535, Zeiss Variable Prime Lenses
Laboratory N/A
Film Length 4,322 m (Spain)
Negative Format 35 mm (Fuji Super F-125T 8532, Super F-500T 8572)
Cinematographic Process Spherical
Printed Film Format 35 mm