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Everybody Dies But Me 2008 123movies

Everybody Dies But Me 2008 123movies

Oct. 23, 200880 Min.
Your rating: 0
9 1 vote

Synopsis

Watch: Все умрут, а я останусь 2008 123movies, Full Movie Online – One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives….
Plot: One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives…
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Ratings:

6.5/10 Votes: 2,371
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N/A | MetaCritic
N/A Votes: 76 Popularity: 6.576 | TMDB

Reviews:

The Other Side of Modern Russia in Gai Germanika’s Everybody Dies but Me
Gai Germanika’s Everybody Dies but Me is both a movie about growing up and a thought-provoking drama that rises social issues related to marginalization, gender, and the institute of the family in modern Russia. Gai Germanika is a Russian film-director that primarily raises issues of coming of age through her documentary-style movies and tv series. Similar to her previous works such as School, Girls, and Boys in this movie she focuses on the topic of youth transitioning from childhood to adulthood. She uses specific techniques of cinema verité style such as handheld camera, authentic dialogues, and natural setting to achieve the feeling of reality. The movie explores the border between drama and documentary by showcasing the mundane experiences of three schoolgirls compressed to five days of their lives. At the beginning of the movie the heroes, Vika, Katya, and Zhanna, learn about the disco that will be in five days and start preparing for it. This event becomes some sort of initiation after which they have to become “true” adults. We follow their paths of becoming adults by diving deep into their lives, experiences, and feelings during these five days. My initial feeling about the movie was that this is not a typical movie about youth. It does not moralize about what youth should and should not do. Gai Germanika breaks the tradition in modern Russian filmmaking where the youth is usually presented as a problem in the eyes of the adults. It doesn’t try to judge or teach them about how to live. I felt extremely anxious after watching the movie because it was like a pill with a big dose of truth, but no one told me how to swallow it. The truth was that there is another side of Russia, there are people who are left aside. I always perceived Putin’s era of “stability” as an era free from hunger and crimes of the 90s, an era of growing social and economic prosperity. However, Gai Germanika moved the camera lens from the lives of people who experienced this prosperity. Instead, she switched her attention to the apartments of ordinary Russians where the real life took place. This previously unknown “alternative reality” where people constantly live in a state of survival made me think about unresolved transgenerational traumas that were expressed through unhealthy behaviors of both adolescents and adults. I felt particularly anxious and related to the experiences of these girls because it reminded me of our own unresolved transgenerational traumas of living in poverty throughout the 90s, the feelings of hopelessness and powerlessness experienced by our parents and passed to us through stories and post-traumatic behaviors. One of the themes that I can relate to is the life of the marginalized. This movie shows one of the uncommon narratives about the era of stability- the lives of those who have been bypassed by the progress of those years. Being born in one of the provinces of Kazakhstan, the scenery from the movie with old Soviet buildings, roads full of potholes, and shabby playgrounds felt painfully familiar to me. I could relate to the lack of economic progress shown in the movie. I could also relate to the social degradation that was reflected through the relationships within families and school. Generally, all of the relationships between adults and teenagers were formed on the basis of a negative identity or “us” against “them”. For example, Vika, Katya, and Zhanna usually snapped at their teachers and parents and used curse words and obscenities as a way of communication to show their opposition to those who considered as “others”. The same is true for adults. Parents didn’t understand their children and used physical violence such as in the case of Katya’s father beating her. Teachers emotionally abused teenagers by publicly embarrassing and insulting them. This unhealthy state of relationships between parents, children, and teachers is one of the signs of social degradation that described the life of the marginalized. One of the interesting aspects of the movie is the cinema verité style of filming that Gai Germanika uses to show us the life of the marginalized. The handheld camera allows us to follow girls and witness their ordinary life as it is. We don’t only witness their first experiences with boyfriends, alcohol, betrayal, but we become a part of their lives. The camerawork captures both the outside reality that is manifested in the relationship with others and inside the reality that is related to the relationship with the self. The outside reality shows that their relationship with parents, peers, and teachers is dysfunctional at its core. It is full of resentment, anger, avoidance of communication, and absolute disregard of each other’s feelings and thoughts. Along with that, the camerawork was able to reveal the inside state of girls that is related to the unhealthy relationship with the self. From the close-up view, the camera captures the tears of Zhanna when she loses her pet, but at the same time, it captures the times when she tries to shut down her “childishness” by drinking and smoking. This style of filming masterfully delivers the battle inside of girls between adulthood and childhood by closely capturing their actions and emotions. Gai Germanika also used cinema verité style to raise a theme of feminism. Gai Germanica didn’t try to educate the audience about the inequality between genders. She used the language as a tool for redefining the role of women in Russian society. Through authentic dialogues that usually characterize cinema verité style, she showcased the example of female empowerment. One of the ways she did that is through mat or curse words that were used to establish women as equal to men. For instance, in one of the last scenes, the girlfriend of Alex starts beating him and swearing at him. When she starts doing it, Alex starts backing down, which shows that he is rather a weak figure despite him being a male. This scene shows the skillful use of language, specifically curse words, to deliver messages about changing social roles between men and women without explicitly mentioning gender as a social problem. The movie of Gai Germanica is a thought-provoking and extremely emotional drama about the youth, the adults, and modern Russian society in general. Those who can relate to the experiences of Katya, Vika, and Zhanna might feel empathic and even angry, those who can’t will at least feel the pain the girls go through as a result of their experiences. This movie reveals a lot about social problems through individual experiences. I would definitely recommend watching the movie to those who are interested in exploring social problems through stories of people.
Review By: aizhanyerkimbekova

Other Information:

Original Title Все умрут, а я останусь
Release Date 2008-10-23
Release Year 2008

Original Language ru
Runtime 1 hr 20 min (80 min) (France)
Budget 1500000
Revenue 270934
Status Released
Rated N/A
Genre Drama
Director Valeriya Gay Germanika
Writer Aleksandr Rodionov, Yuriy Klavdiev
Actors Polina Filonenko, Agniya Kuznetsova, Olga Shuvalova
Country Russia
Awards 5 wins & 5 nominations
Production Company N/A
Website N/A


Technical Information:

Sound Mix N/A
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A

Original title Все умрут, а я останусь
TMDb Rating 5.079 76 votes

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