After Yang 2022 123movies

Watch: After Yang 2021 123movies, Full Movie Online – When his young daughter’s beloved companion – an android named Yang – malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife (Jodie Turner-Smith) and daughter across a distance he didn’t know was there..
Plot: When his young daughter’s beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn’t know was there.
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Ratings:

	6.7/10 Votes: 12,745
	89% | RottenTomatoes
	78/100 | MetaCritic
	N/A Votes: 168 Popularity: 30.451 | TMDB

Reviews:

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/after-yang-spoiler-free-review-sundance-2022

“After Yang may have some pacing issues, but Kogonada’s beautifully thoughtful storytelling and ASKA’s unforgettable, tear-inducing score transform this piece into a contemplative, inspirational cinematic experience.

A profound, sincere study of what it means to be a family, what it means to be loved, and how important it is to remember where we come from. A fascinating look into the core of humanity through the heart of a robot – both literally and figuratively.

Exceptional performances, but Colin Farrell stands out with a subtle yet potent performance. Occasionally, it loses itself amid its admittedly gorgeous wide, static shots.

Still memorable, nonetheless.”

Rating: B+

I’m unsure what After Yang tries to accomplish (does it want to be a cautionary tale about the evils of privacy-violating technology? A gentle meditation on the nature of memory? The manifesto for a hypothetical AndroidLivesMatter movement?), but I do know that whatever it is, it fails – just like Jake (Colin Farrell) and Kyra (Jodie Turner-Smith) fail to parent their little daughter Mika (Malea Emma Tjandrawidjaja).

The movie takes place in an indeterminate future where it is possible to buy “an older sibling for Chinese adoptions” (a possibility that is oddly specific). Some years before the events of the film, Jake and Kyra “bought Yang [Justin H. Min] to connect Mika to her Chinese heritage”; or, as Jake puts it, “teach her Chinese fun facts.” Pray tell, ¿why couldn’t they just have adopted two Chinese children, and have one be older than the other? Also, if they really want Mika to connect with her Chinese heritage, how about giving her a name that is, you know, Chinese? Though to be fair to writer/director Kogonada, I think Jake and Kyra are actually meant to be terrible parents; the real problem is that they don’t seem get any better at it by the end of the movie.

But let’s start with the beginning; after what appears to be a nationwide, or maybe even worldwide, rhythm-matching game in which “over 30,000 families” participate (the opening credits are accompanied by a montage of the film’s characters and their families engaging in this competition, suggesting an entirely different movie than the one we are about to watch), Yang conks out, setting the plot, such as it is, in motion.

Jake goes to a few places to have Yang repaired, and in the process the element of spyware is introduced, only to be quickly abandoned in favor of Yang’s “memory bank”. You see, “The memory banks allowed the technos [or techno-sapiens] to record a few seconds each day. The labs were trying to understand what technos considered memorable.”

This raises a number of questions that the movie can’t be bothered to bring up, let alone answer. Are these “few seconds” all that the technos ‘remember’ from each day? And if so, does that mean that whatever they don’t record is as good as if it never happened? And wouldn’t that leave them with the memory retention of a goldfish (or that of Guy Pearce in Memento)? Not exactly the kind of carer I would want to entrust my infant daughter with.

Moreover, since we only see Yang interacting with the other characters in random snippets that make his life seem like a Terrence Malick film, we are unable to piece together exactly why he was so important to them. All things considered, I would have been more interested in the Before and the During than in the After Yang.

SHORT FILM EMBIGGENED TO UNNECESSARY LONGER LENGTH…!
An indie film set in the future from last year. Colin Farrell & Jodie Turner-Smith are raising their daughter w/the help of a robot which they bought refurbished. The parents begin to worry when Yang, Justin H. Min, starts to malfunction & what his potential absence will have on their daughter which prompts Farrell to venture out into the world to find out his background which includes visions of a girl, played by Haley Lu Richardson, who meant enough to him she’s still in his memory banks. Taking a page out of other scifi outliers like Blade Runner, A. I. & even to some extent the Will Smith actioner I, Robot, this film’s message of a robot achieving its own consciousness is lost in its fey, flowery delivery as it feels (which reading the head credits this film was based on a short…probably the best format for this), even at its short running time of 90 or so minutes, bloated by unnecessary visual deviations & flourishes making this at best a beautiful ad for a B & B & at worst a waste of my time. Also starring Sarita Choudhury & Ritchie Coster as robot merchants w/Clifton Collins as Farrell’s neighbor.

Other Information:

Original Language en
Runtime 1 hr 36 min (96 min) (theatrical)
Budget 0
Revenue 131465
Status Released
Rated PG
Genre Drama, Sci-Fi
Director Kogonada
Writer Alexander Weinstein, Kogonada
Actors Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja
Country United States
Awards 1 win & 4 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.33 : 1 (video call scenes), 1.85 : 1 (memory scenes), 2.35 : 1
Camera Arri Alexa Mini, Panavision Primo, Canon and Pathe Lenses
Laboratory Harbor Picture Company, New York (NY), USA (digital intermediate)
Film Length N/A
Negative Format CFast 2.0
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (4K) (master format), ProRes 4444 XQ (3.2K) (source format)
Printed Film Format DCP